ISLAND OF LOST SOULS -- Erle C. Kenton, 1932

LOVE THIS POSTURE, CHARLES!

NOT MAN

NOT BEAST…

THING!

DOCTOR X -- Michael Curtiz, 1932

the greenest movie

featuring the most convoluted science experiments in the name of solving a crime, ever^

black and green and, like, “glow” are my ✨favorite✨colors✨

BODY PARTS -- Eric Red, 1991

brad dourif FAN CLUB

honestly, not a very good movie

FRANKENHOOKER -- Frank Henenlotter, 1990

totally

normal

classic

film shit.

sound on!

totally normal classic film shit.

FRANKENHOOKER_2_growl i want pretzels

SVENGALI -- Archie Mayo, 1931

baby did a bad bad thing here⚡️ 💣

BRIDE OF CHUCKY -- Ronny Yu, 1998

hellooooooooo, Nurse!

CHILD'S PLAY -- Tom Holland, 1988

my fucken BOI

DR. JEKYLL AND MR. HYDE -- Rouben Mamoulian, 1931

^^POV intro so strong that I legitimately wondered how they kept the camera out of the mirror in the frame below

🤠🤠🤠

mirror pov shots very convincing in 1931

😱

mirror pov shots very convincing in 1931 😱

🚨🚨🚨🚨🚨🚨

DEF BY TEMPTATION -- James Bond III, 1990

“You should use a cigarette lighter, the flame lasts longer.”

DEF BY TEMPTATION_2_murder breath

bliss

where am i

where are you?!

in other news…

love this scene💕💕

THE EXORCIST III: THE LEGION -- William Peter Blatty, 1990

THE EXORCIST 3_2_id like to look around

absolute

banger

THE EXORCIST -- William Friedkin, 1973

LOST HARD DRIVE, LOST HEART

I had been not-so-diligently pulling screenshots with the intention of showing them, of showing all the Bergman I had watched and the progression (and sometimes devolution) of his style — there was a plan, but those shots now exist only in the ether. I lost my hard drive, and it was this little thing which held these slowly accumulated shots and clips, as well as almost a decade’s worth of silly writings and photoshop play.

I was broken by the loss; it came at a time when everything in life seemed to going down a drain for myself, and I have now gone too far to ever go back. My interest in Bergman is not as fresh as it was, and my spirit is quite dampened (I know, it’s silly).

The horror frenzy that is October has brought a little pep back into my step, and I find myself wanting to start collecting again. Forgive the jump and the abrupt end of Ingmar — it was done out of a very sad necessity.

SAWDUST AND TINSEL (GYCKLARNAS AFTON) -- Ingmar Bergman, 1953